Ancient practices in skin processing are a primary focus in my work. Historically we have created artefacts from skin by applying little more than organic liquors, hand held tools and time.
A recent recipient of the Worshipful Company of Leathersellers’ award (2019), Frances’ practice explores the possibilities of oak bark leather as a medium within sculpture. Her practice allows for the materials inherent qualities to be witnessed as veins, scars, and stretch marks tell us something of the animals life.
Frances aims to connect her audience with the wider historical and anthropological context of oak bark leather tanning, telling the story of the people and techniques that come together to produce her materials. She blends natural elements such as bark and galls from the oak tree, creating inks for her prints and drawings, and applies the slow and rhythmic labour of hand stitching to each of her sculptures.
Cockpit Arts Awards
01/04/2019 - 31/03/2020Cockpit Arts/ The Worshipful Company of Leatherseller's Award
-Jill Humphrey Springboard Prize 2019