Support Cockpit Arts
Your support enables the best in British craft and design to succeed and thrive.
We work with The Prince's Trust to offer previously unemployed young people a gateway to a career in craft.
“The Cockpit Arts Creative Careers Programme is a best practice progression route for our clients who wish to establish self employment in crafts. It is proven to develop entrepreneurship and skill and to sustain the businesses beyond the initial support.” – Mike Nelson, Programme Manager Enterprise & Awards, The Prince’s Trust
Launched in 2010, our Creative Careers programme now runs annually, in partnership with The Prince’s Trust, as a gateway to a professional career in craft and design. Participants are integrated into Cockpit Arts’ professional working environment, while craft mentors provide aspirational role models.
Year 4 participants included Sarah Marafie (jewellery), Chloe Owens (textiles and ceramics), Zoe Powell (textiles) and Mary Zreik (fashion and textiles). The Drapers’ Charitable Fund supported Cockpit Arts to provide a further year of support for these participants, enabling them to continue their journey towards sustainable self-employment.
The Year 3 cohort comprised Libby McMullin (cards), Natasha Nelson (hand made cards); Charlene Grandison (leather bags and accessories) and Crystal Griffiths (dolls). Natasha, Charlene and Crystal were awarded a further year’s support by The Worshipful Company of Drapers. Read their success stories here:
Natasha Nelson’s business idea was born while helping to organise special events for her family and friends. She realised she had a flare for making bespoke stationery and favours and started to create personalised handmade cards.
C Grand London is a big, bright, bold fashion brand specialising in unique leather accessories. The label is the brainchild of Charlene Grandison, the daughter of a dressmaker who says she has always been “fascinated and inspired by the principles of dressmaking”. She graduated from Middlesex University in 2007 with a BA in Applied Arts with the dream of launching her own conceptual British fashion label.
Cashaloola is a range of quirky soft sculptural animals each with its own distinct personality. Finished to the highest quality by their creator Crystal Griffiths, these limited edition ‘dolls’ are currently strutting their hand-embroidered stuff in the window of Susannah Hunter, a luxury leather handbag boutique in Bloomsbury, London.
Participants in 2011/12 included jeweller Lenique Louis, leather designer Johnette Taylor, and bridal headdress designer Stacey Dee Robertson. Says Lenique Louis: ‘Since I have been at Cockpit Arts I have become more professional, organised and serious about where I want to take my business in the next few years. My self-confidence and business have gone from strength to strength.’ Read their success stories here:
Like gorgeous chunks of gold-encrusted coral, Lenique Louis’ rings have become sought-after statement pieces that sell in London and New York. Yet just three years ago, their creator Lenique was struggling to find work.
Johnette’ Taylor creates leather accessories that offer old-fashioned quality with a modern twist. Under her brand name nette’, Johnette’ has created leather goods that not only look good, but are also functional: bags for cyclists, ipad and camera cases and laptop carriers.
Scottish designer Stacey Robertson makes bespoke and ready-to-wear bridal headdresses. Each piece is carefully hand crafted using materials such as embroidered lace, beading, feathers and vintage finds to give a unique look.
Our long term aim for Cockpit Arts is to become 100% self sustainable; generating surpluses in order to cover the cost of further similar programmes. However, we currently need to raise additional charitable income to support the continuation of the Creative Careers programme.
If you would be interested in helping to support young people starting a career in craft and would like to partner with us, please contact Vanessa Swann, Chief Executive, on 020 7419 1962 for an informal discussion.
We are grateful to the Santander Foundation for its support of the Programme in 2014/15.
In 2013/14 the Programme was generously supported by The Worshipful Company of Drapers, The Newby Trust, The Goldsmiths’ Company, The Prince of Wales’s Charitable Foundation and Santander Foundation
In 2011/2012 it was supported by Bank of America Merrill Lynch and Camden Recycling Ltd.